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Ruben Ochoa's works can be viewed at the 2008 Whitney Biennial, SWAP: LACMA On-Site in collaboration with Mark Bradford at Charles White Elementary School, and Phantom Sightings at the Los Angeles County Museum of Art. He has had solo exhibitions at Susanne Vielmetter Los Angeles Projects, Susanne Vielmetter Berlin Projects, LAX><ART in Los Angeles, and Hallwalls Contemporary Art Center in Buffalo, NY. Select group exhibitions include the 2004 California Biennial at the Orange County Museum of Art, Newport Beach and the Zacheta National Gallery of Art in Warsaw, Poland.
In March 2008, Ochoa was selected as a recipient of the John Simon Guggenheim Memorial Foundation Fellowship. Additional previous awards include a Creative Capital Foundation Visual Arts Grant for his Fwy Wall Extraction project in 2006, a Rockefeller Foundation: Renew Media Fellowship, and a California Community Foundation fellowship. His works are in several public collections including the Whitney Museum of American Art in NY.
Ochoa is currently preparing for an upcoming group show in Tel Aviv, curated by Alma Ruiz.
EDUCATION
2003 MFA, University of California, Irvine
1997 BFA, Otis College of Art and Design, Los Angeles
1996 Parsons School of Art and Design, New York
SOLO EXHIBITIONS
2009 SITE Santa Fe, Santa Fe, NM (in progress)
2008 "Fall of the Wall [paper]", Susanne Vielmetter Berlin Projects, Berlin
2007 "A Recurring Amalgamation", Susanne Vielmetter Los Angeles Projects, Los Angeles
"Clastic Rupture", Hallwalls Contemporary Arts Center, Buffalo, NY
2006 "Extracted", LA>
"Freeway wall next to a...", Lizabeth Oliveria Gallery, Los Angeles
2005 "Borrowed Ladders", ESL Ι Esthetics as a Second Language, Los Angeles
2004 "Greyscale", Voz Alta Projects, San Diego
TWO PERSON EXHIBITIONS
2007-08 "Swap" LACMA On-Site, collaboration with Mark Bradford, Los Angeles County Museum of Art
2006 "Storage", collaboration with Marco Rios, 4-F Gallery, Los Angeles
"Embryonic Loop", collaboration with Marco Rios, LA>
2005 "Caltransposed" with Peter Tavera, Gallery 727, Los Angeles
2004 "Rigor Motors", collaboration with Marco Rios, Laguna Art Museum, Laguna, CA
"Projects by Ruben Ochoa and Michael Queenland", The Project, Los Angeles (curated by Lauri Firstenberg)
GROUP EXHIBITIONS
2008 WHITNEY BIENNIAL 2008, Whitney Museum of American Art, New York
"Phantom Sightings", Los Angeles County Museum of Art, Los Angeles (curated by Rita Gonzalez)
"Arte Contemporeano, Puerto Vallarta, Jalisco, Mexico
2007-08 "Multifaceted Lens", Minnesota Center for Photography, Minneapolis, MN
2007 "Performance Z-A", 25th Anniversary for the Storefront for Art and Architecture, New York
"Viva Mexico!" Zacheta National Gallery of Art, Warsaw, Poland, curated by Magda Kardasz, traveling to BWA Warsaw - Contemporary Art Gallery, Warsaw, Poland.
"Latitude", Artcore, Los Angeles (organized by Pilar Tompkins)
"Range", d.e.n Gallery, Los Angeles (curated by Kristi Lippire)
2006 "Mexicali Biennial", La Casa de la Tia Tina, Mexicali, Mexico
"The Newsstand Project", newsstands throughout Los Angeles (organized by Dan Bayles)
"Agent Once", Acuna-Hansen, Los Angeles (organized by Jason Keller)
"25 Bold Moves: Emerging Artists Exhibit", House of Campari, Los Angeles
"An Image Bank for Everyday Revolutionary Life", REDCAT Gallery, Los Angeles
"Otis: Nine Decades of Los Angeles Art", Municipal Art Gallery, Los Angeles
2005 "Happenstance", Harris-Lieberman Gallery, New York (curated by Lauri Firstenberg)
"Drive by and relax", UPSPACE, Los Angeles (curated by Chris Sicat)
"Borderless Dreams", Oceanside Museum of Art, Oceanside, CA
"Drive Time", Wignall Museum, Rancho Cucamonga, CA
"Empire.Style", ART2102, Boyle Heights, CA (curated by Peter Zellner)
"passerby", Vox Populi, Philadelphia, PA (curated by Cassandra Cobelentz)
2004 "FREEWAVES_Inter-State: Video on the Go", REDCAT Theater, Los Angeles
"2004 California Biennial", Artist-in-Residence, Orange County Museum of Art, Newport Beach, CA
"Land of the Free: Americana", City of Brea Gallery, Brea, CA (curated by Tyler Stallings)
2003 "¡Picarte! Photography Beyond Representation", Heard Museum, Phoenix, AZ
"Recess", Cirrus Gallery, Los Angeles (curated by Brienne Arrington and Dan Bayles)
"Happy Beautiful Desirable", Track 16, Santa Monica, CA
2002 "Better Look Twice", Pasadena City College Art Gallery, Pasadena, CA
"Whacked", Los Angeles (curated by John Souza)
OTHER PROJECTS
2006-07
"Fwy Wall Extraction", 10 fwy eastbound below Soto St and Marengo Blvd intersection, Los Angeles (produced by Creative Capital Foundation and LA>
2006
"Disrup", LA>
"ain't that revolutionary", LA>
2001-05
"CLASS: C", mobile artist space featuring over 75 artists, curators, and collaborators throughout Southern California
SELECTED BIBLIOGRAPHY
2008
Gonzalez, Rita, Howard N. Fox, and Chan A. Noriega, "Phantom Sightings: Art After the Chicano Movement" LACMA Publications, March
Schjeldahl, Peter, "Lessness: The Whitney Biennial", New Yorker, March 17
Lacayo, Richard, "The Simple Life", Time, March 13
Cohn, Marilyn, "The Big Apple: Whitney Biennial", For Your Art, March 13
Schuker, Lauren A.E., "The Fine Art of Less", The Wall Street Journal, March 7
Dalton, Trinie, "2008 Biennial Exhibition Catalogue", The Whitney Museum of American Art, March
Dockary, Sean and Hugo Hopping. "Social Studies: An Art and Social Engagement", X-TRA Contemporary Art Quarterly, Volume 10, Number 3, Spring
MJ, " Susanne Vielmetter Berlin Projects, Transparenz durch Trugbilder", Taz.de, January 16
2007
"Viva Mexico," Zacheta National Gallery of Art, Warszawa 2007
Vogel, Carol, "Whitney Biennial Stretches to Armory", New York Times, November 16
"Artists Announced for 2008 Whitney Biennial", Artforum.com, November 16
Campagnola, Sonia, "Live from Los Angeles", Flash Art, November/December
Gray, Emma, "L.A. Confidential", artnet, October 12
"Continuing and Recommended: Ruben Ochoa's ‘A Recurring Amalgamation' at Susanne Vielmetter Los Angeles Projects", Art Scene, October
Mizota, Sharon, "Ruben Ochoa: ‘A Recurring Amalgamation' at Susanne Vielmetter Los Angeles Projects", Artforum.com, September 22
Gray, Emma, "Emma Gray's Top 10 Shows in Los Angeles this Month", Daily Magazine, Saatchi Online, September
Khuri, Elizabeth, "Public Art Angel: Lauri Firstenberg gets art out of museums and into the streets", West: LA Times Magazine, September 16
Myers, Holly, "When nature and urban life conflict", Los Angeles Times, September 14
Becker, Jack; Slade, George, "Multifaceted Lens: Photography and Public Art", Public Art Review, Spring/Summer
Freeman, Tommy, "The Trans-Aestheticization of Daily Life at the Sweeney Art Gallery", Artweek, May
Szupinska, Joanna, "Ruben Ochoa", Artillery, Volume 1, No. 4, March
2006
Westerbeck, Colin, "Photo Synthesis: Fwy Wall Extraction", West Magazine, Los Angeles Times, December 24
Kim, Clara, "Ruben Ochoa: ‘Extracted', Contemporary, Issue 88, p.73
West, Kevin, "The Van Man", WWD Scoop Magazine, September, p. 60
Myers, Holly, "Freeways connect and divide", Los Angeles Times, September 15, p. E22
Gray, Emma, "L.A. Confidential", Artnet, October 13
Satorius, Katherine, "Ruben Ochoa at LA>
Campagnola, Sonia, "Focus Los Angeles: A Survey of Contemporary Los Angeles Art", Flash Art, January/February, page 73
Finkel, Jori, "Recipe for Revolution: Take 11,000 Photos", New York Times, January 29, section 2-32
Isenberg, Barbara, "Otis College of Art and Design: The First 88 Years", Otis: Nine Decades of Art (catalogue), p. 14
Pollack, Barbara, "Happenstance", Time Out New York, Issue 536, January
2005
Gonzalez, Rita, "Strangeways Here We Come", Recent Pasts: Art in Southern California from the 90s to Now, published by JRP Ringier
Cotter, Holland, "Happenstance", New York Times, December 30, p. B37
Willis, Holly, "State of the Art: A Field Guide from Acken to Zittel", LA Weekly, October 28, p. 52
Tumlir, Jan, "California Biennial", Artforum, February, p. 168
2004
Pincus, Robert L., "Turning in to the O.C.: ‘Biennial' belly laughs", The San Diego Union-Tribune, November 7
Knight, Christopher, "Biennial arrives, and so does a museum", Los Angeles Times, October 13, p. E1, E7
Armstrong, Elizabeth and Hofmann, Irene, "The Big Sweep: Paradox in Paradise", California Biennial (catalogue), Orange County Museum of Art, Newport Beach, CA, p. 12-21, 92-95
Cavallo Collins, Gina, "Through the Lens Violently", Phoenix New Times, January 15
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site specific installation at LAXART, Concrete, metal, plywood, burlap, chicken wire and decomposed granite; 12' x 20' x 30', Approx. 2.5 Tons , Photo by Leslie Moon
Site-specific installation at LA><ART, Concrete, metal, plywood, burlap, chicken wire and decomposed granite; 12' x 20' x 30', Approx. 2.5 Tons, Photo by Leslie Moon
Installation views from Whitney Biennial 2008, Concrete, wooden palettes, chain link, rebar, tie wire, dirt; Approx. 14’ x 13’ x 7’, Photo by Bill Orcutt
Installation views from Whitney Biennial 2008, Concrete, wooden palettes, chain link, rebar, tie wire, dirt; Approx. 14’ x 13’ x 7’ , Photo by Bill Orcutt